Monday, September 1st, 2008
I wanted to develop the pixelised motorway pictures I did a few months ago. I zoomed in on three pictures by 3200% and screen grabbed small sections of them. The end result is that they look like compositions of squares. Well, that’s what they are, effectively. I think they’re quite beautiful. Some of them are anyway. I zoomed out steadily and took grabs of bits of each picture on each zoom. Over the course of a minute or two the subject of the picture becomes clear.
Friday, May 23rd, 2008
i’ve just done a quick experiment looking at the constituent elements of an image. For the sake of Jonathan’s blogging research I’m leaving the writing at that. I’ll reserve the right to write more in a separate post if I feel like it.
Friday, April 18th, 2008
I took some photographs in Cornwall over Easter. Here is one such picture:
Regular readers, (Hi Andy) may notice my fondness for bleak hillsides. It was very nice to get out to take some pictures. At times I could have almost swooned with pleasure. I know this sounds daft. This is a really important part of making anything for me.
She came and gave us a talk today. She made me realise how much I’ve missed by not attending lectures here. I’ll have to force time into my schedule. She spoke of layering techniques, putting one heavily manipulated image on top of another less manipulated image, then erasing lots of the manipulated one so that parts of the other becomes visible. She was kind enough to give me some slides from her powerpoint presentation that demonstrate this. This layering thing is clearly very relevant to my own thoughts about layering my moments (I’ve so got to find a better word for that).
Category Art Context | Tags: Tags: colour, Cornwall, Cynthia Beth Rubin, digital cameras, ego, film, I love taking photographs, layers, les affinites recouvrees, matyushin, Morph Age, no derrida! wahoo!, phone photos, photoshop, pixelisation, questionnaire, shared history, usness, what is digital art?,